ROME ENGAGEMENT SESSIONRozina & Salvatore
Rozina and Salvatore are getting married, and before the wedding they wanted Rome. We met at sunrise, when the centre is empty and you can hear the Trevi Fountain from a street away.
We walked the empty centre and photographed their engagement session in black and white. Everything below happened before most of the city had its first espresso.
Before the crowds
At dawn there is nobody at the Trevi Fountain, and the street sweepers have the Pantheon piazza to themselves. You can stand in the middle of two thousand years of stone and hear nothing but water.






Why black and white
In 2008 I saw a single photograph by Ragnar Axelsson, a man alone on a beach, and it set the direction for everything I have shot since. Black and white has been the north star from that day on.
Your output is the result of your input, and my input has always been monochrome: Axelsson’s Iceland, Bergman’s stark frames, faces half in shadow. At six in the morning Rome is marble, shadow and hard side light, and in black and white the attention stays where it should: on the two of them.
And the practical note, same as always: I shoot black and white in camera, but the raw files keep the colour. If you want both worlds, you can have them. These are how I saw the morning.
The session
An engagement session before a wedding is a rehearsal for being photographed, which is a skill nobody is born with. By the second fountain, nobody was posing.







We ended the way a Roman morning should: standing at a bar with espresso while the first regulars came in. If Rome is where you are getting married, I will take any excuse to come back. And if Italy is the plan but the city is not, Anna and Andrea’s Dolomites elopement is the other version. Meet me before sunrise.

